Results for "Crime"

When a crime wave hits town, bank robbers find haven in Errol's home.

The result of an investigation that lasted several months, this documentary film reveals the extent of a phenomenon that we thought had disappeared: the traps, sometimes deadly, that target homosexuals on dating applications or sites. Ten years after the law opening marriage to same-sex couples, and in the run-up to the World Day against LGBTphobia on May 17, it demonstrates the persistence of homophobia in France. It also questions the way the police and the justice system respond to these attacks. The voice of the film is provided by Eddy de Pretto, a singer committed against homophobia.

Screenwriter Gastaldi reflects on his career in the crime film-writing business, including a look at Death Walks at Midnight;

Adaptation of Dostoyevsky's novel about a student who plans a conceptual murder and then butts heads with a police detective.

Richard Schickel and Oliver Stone are among the experts who talk about the film noir Crime Wave.

Two adaptations. First, "Le Rideau cramoisi" by Jules-Amédée Barbey d'Aurevilly is about a young second lieutenant of hussars, garrisoned in the provinces, who evokes a strange adventure. Staying with an old couple, he acts as acquaintance with Albertine, the daughter of his hosts, fell in love with her and, after paying her assiduous courtship, made her his mistress. But one night, she died in his arms. He tried in vain to get rid of the corpse and ended up run away. Second, "Mina de Vanghel" by Stendhal is about Mina, a young German, who came to settle in France with her mother in 1820. Her father, a deceased Prussian general, left her a immense fortune. Courted, she falls in love with Monsieur de Ruppert, a ruined man whose castle her mother bought. But Mina does not take long to unmask the dowry hunter.

Portrait of six criminals responsible of diverse agressions.

No overview available.

No overview available.

Location manager Janice Polley and associate producer Gusmano Cesaretti helm this absorbing featurette in which they discuss the photography and locales Mann utilized in the film. The pair gushes over Mann's talent, but they also touch on plenty of topics that aren't explored elsewhere on the disc.

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

August 1, 1980. Two aristocrats are murdered while sleeping in their palace outside Madrid.

In the 21st Century, Tony Ricks was a criminal who was executed for his crimes. In the distant year 2020, he is revived in a freak accident, and must infiltrate a futuristic prison and retrieve a powerful bioweapon in exchange for his freedom... and his life.

On February 10th, 2015, it took Craig Hicks 36 seconds to extinguish the lives of three young, Muslim Americans. Before they can grieve, the families are forced to become activists to set the record straight about the murders.

a madman unleashed in Flatbush

Bruce Sweeney (Last Wedding) returns to the Festival with this neo-noir police procedural — set against the backdrop of economic hard times — about a failed real estate agent (Nicholas Lea, in a bravura performance) whose recent attempt to turn things around makes him a suspect in a criminal investigation. (TIFF)

Three friends practice robbing a bank.

Maussane, at the very heart of Provence, with its olive trees and its charming squares. Deputy prosecutor Elisabeth Richard and local police commander Paul Jansac are investigating the murder of Caroline Autiero, wife of an old mill-owner.

Adam Pearson - who has neurofibromatosis type 1 - is on a mission to explore disability hate crime: to find out why it goes under-reported, under-recorded and under people's radar.

1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in the car, terrified. Superintendent Kouassi is the detective in charge of the investigation. Tall and lanky, he moves with the tired energy of a man who has seen it all. Drawing on a network of underworld characters with dubious information, Kouassi’s team begins bringing in potential suspects and subjecting them to horrific brutality: beating them with sticks, hanging them upside-down, threatening their lives. Some of the men are left so broken they have to literally drag themselves into Kouassi’s office later, to be interrogated while lying on the floor, their bodies a mess of bruises, broken bones, and lacerations.