Results for "Romance"

Samantha’s Montana ranch is her family’s legacy, so when a developer shows up to buy it, Sam isn’t interested. But as he tries to win her trust and her ranch, Sam finds he might also be winning her heart.

Since birth, Brando despised his gay twin brother, Brandy, who has been his burden (including the fact that he was mistaken). However, when Brandy was caught in an accident and put into a coma, Brando is forced to impersonate his twin to keep a major business from falling through. Though they had a misunderstanding, Brando gains a new appreciation as he lives his brother's life.

A climber throws his fiancée's blackmailer over a cliff and finds all was a dream.

In a Southern town, Don Morley is apparently the sole witness to a gunfight during which his friend, Lee Dillingham, badly wounds Sheely. To avoid testifying against Lee, Don leaves town, but after he is gone, Lee double-crosses Don and blames him for the shooting. Then, Don's sweetheart, Miss Lady, heartbroken to learn that Don is a criminal, marries the elderly Professor Querrington. To take her mind off her mundane marriage, Miss Lady befriends a mute boy and pays for an operation that restores his speech. The professor dies, and soon after Don, unaware of his alleged guilt, returns to town to find himself charged with Lee's crime.

A struggling designer takes a job as a personal stylist for a grumpy but ridiculously handsome billionaire. As she revamps his wardrobe and he teaches her about business, they realize they just might be the perfect fit.

Three couples take a boat trip, they drink and tell erotic stories they had in their past.

Iestyn has one chance to ask his crush out, but a visit from his future self shows that his actions will affect his life forever.

A burlesque of a Spanish courtship, in which two rivals for the hand of a beautiful senorita battle with each other.

Romance and Arabella is a 1919 American silent romantic comedy film directed by Walter Edwards and starring Constance Talmadge, Harrison Ford, and Monte Blue.

¡Venganza! is a video album released by rock band My Chemical Romance. It is the second part of the concert in Mexico City, Mexico on October 7, 2007, and a follow-up to the previous DVD The Black Parade Is Dead!. These videos are stored on a bullet-shaped USB drive, along with photos from the show. The flash drive is only available with a Revenge-style vest. Some photos of the Venganza show appear in the booklet for The Black Parade is Dead!. 1. "I'm Not Okay (I Promise)" 2. "Cemetery Drive" 3. "Thank You for the Venom" 4. "The Jetset Life Is Gonna Kill You" 5. "The Ghost of You" 6. "It's Not a Fashion Statement, It's a Fucking Deathwish" 7. "Give 'Em Hell, Kid" 8. "You Know What They Do to Guys Like Us in Prison" 9. "Helena"

When Sarah Kress learns her family’s vineyard is up for sale, she leaves her busy urban life and visits her hometown to help with the sale and have her last harvest. With the help of handsome neighbor Gabe, huge challenge becomes fun as she and Gabe fall in love. But when the job is done, Sarah must decide whether to return to her fast-paced life or follow her heart.

Theater manager James Guthrie's (Melvyn Douglas) career depends on famed soprano Elsa Terry (Grace Moore) singing in his Buenos Aires opera house, however, Elsa breaks the contract in favor of a more lucrative deal in Paris. Desperate, James begins showering her with flowers and candy in an attempt to woo her to the Argentinian opera house. When Elsa overhears James confess to his friend Pancho that he'd be willing to resort to kidnapping to get Elsa to Argentina, she mistakenly believes his motives to be solely romantic.

When old rancher Cordoba's grandson is murdered, the Cisco Kid takes his place to find who's trying to take over the ranch.

A writer pens the story of three girls, Amber, Rose, and Violet, inheriting a large mansion. However, their Aunt Zelda won't give up the house, which happens to be haunted by an incubus.

Baritone singer Barry Glendon, completing a successful season in opera, departs for his ranch in the west over the objections of his manager Tony. Arriving there with his double-talking friend Shorty, Barry learns that a parcel of his vast ranch has been fraudulently sold to Carol Marland and her ailing (and tiresome) young brother Johnny. Pretending he is only the foreman, and having his cowhands go along with it,Barry allows Carol and her whining, growing-ever-more-tiresome brother to believe that they are the actual owners in order to give him a free hand in running down the swindlers who victimized Carol who, with a brother like hers, was a victim to begin with.Barry learns that brothers Clem and Jonas Allen are the villains and,through a ruse in which they are led to believe there is a hidden treasure on the land they sold Carol, they try to buy it back bidding against Barry, who forces the price up.

A short historical drama about the Louisiana Purchase.

Production of steel components at William Beardmore & Co's Parkhead Forge, Glasgow. Made for screening at the 1938 Empire Exhibition.

Experience an alternative take on attraction with Boys On Film. Bad Romance explores the darker side with a collection of edgy and sexy short films, including: Alain Hain's "Curious Thing" starring Danny Bernardy and Matthew Wilkas; Christoph Scheermann's "Cake and Sand" starring Bartholomew Sammut and Jan Andreesen; Michael Rozanov's "Watch Over Me" starring Guy Kapulnik and Davidi Hoffman; Joachim Back's "The New Tenants" starring David Rakoff and Jamie Harrold; Kim Jho Gwang-soo's "Just Friends?" starring Lee Je-hoon and Yeon Woo-jin; Étienne Desrosiers's "Mirrors" starring Xavier Dolan, Stéphane Demers, and Julie Beauchemin; Christopher Banks's "Communication" starring Rudi Vodanovich and Alexander Campbell; Tomer Velkoff's "The Traitor" co-starring Shmulik Goldstein; Christopher Radcliff and Lauren Wolkstein's "The Strange Ones" starring David Call, Tobias Campbell, and Merritt Wever; and Tamer Ruggli's "Cappuccino" starring Benjamin Décosterd and Manuela Biedermann.

This stylized narrative is the first in the Yonemotos' Soap Opera Series,in which they employ the traditional syntax and codes of melodrama to explore how mass media formulas manipulate desire and sexuality, fantasy and reality. Played out with the self-conscious acting and dialogue of a soap opera, this story of the dissolution of a contemporary romance is set in the context of the postmodern Southern California art scene. By emphasizing modes of representation — TV, movies, art — the Yonemotos reconstruct a narrative of melodrama itself, illustrating their assertion that personal dramas and romantic ideals are the result of media propaganda, a social fantasy that becomes reality.

No overview available.